Edition One Hundred Logo spacer newsletter EOH go! spacer buy now spacer
dotline

home
the story
exhibitions
artists
charities
press
shop
contact



spacer Brooke Ashe



Brooke Ashe

Brooke Ashe was born in 1977 to Mexican–Irish parents in Key West, Florida. The artist, poet, political activist, and filmmaker was raised in Canyon Country California, where she formed the Chicano student organization MECHA whilst still at High School. In 1995 she moved to the Bay area to attend UC Berkeley graduating in 2001 with a double major in Art and Ethnic studies. During this period she collaborated with other students to produce the documentary “I Of Motion, Us Of Movement” a short film about Bay area women in hip hop on which her thesis was based.

Ashe honed her poet skills at local slam events culminating in the sold-out production of “Pastime Paradise, Nobody Gets Out Alive” with Rhodessa Jones at Durham Studio Theatre. She assisted in the organization of several student movements on campus including “Affirmative Action” and worked with Ex-Black Panthers Ronnie Stevenson and Chase Adams on educational film tutorials for the Oakland youth.

In 2002, Ashe was commissioned by the Mar Thoma Orthodox Church to paint a mural depicting a scene from the Book of Revelations. Using art as a means to explore race relations and spirituality, she is greatly influenced by the Ethiopian Angels, which form the main focus of her paintings, graffiti and customized apparel. Ashe’s angels are placed in a variety of urban or ethereal settings their eyes and facial expressions hypnotically conveying the mood of each individual environment.

Ashe currently resides in Los Angeles, exhibiting her works at numerous art shows and events across the US and throughout the world. Commissioned works from Ford motors, American Idol, ESPN, and Payless Shoes. Collectors of her art include Hollywood celebrities Karl Kani, Christina Aguilera, Gary Dourdan, Megan Good, and Z-Star.


Please talk about your ideas of Freedom & Revolution. What do these words mean to you? How does your piece illustrate these ideas?
The words don't mean much to me as words, they hold more strength for me as images, like the image of Che screams freedom and revolution, as well as any image of Bob Marley he represents both these ideas as well, butterflies, motorcycles and waterfalls do too. Experiencing new discoveries and believing in yourself and unconditional love are true freedom and revolution.  That is why it was important for me to finally allow myself to be free as an artist and really unveil my talent and showcase myself from the inside out. Each image here is so connected to my oneness with the ever-expanding universe and this piece is like a pit stop in my consciousness that reveals where my thoughts are at the moment. Filled with the knowledge in the lessons exposed by the content of each image in this work.  

What is your charity or cause? Why did you select this?  The Sean O'Shea Foundation www.seanosheafoundation.org is a 501(c)(3) non profit organization that is designed to empower youth with a Yoga curriculum focusing on providing memorable programs aimed at enriching young lives and providing invaluable instructors who will be a positive role model while developing long-term relationships with educators and community. Sean O'Shea gave young people such an outstanding example of excellence, patience, discipline and a joy for life and personal growth that all can benefit from. These benefits are timeless and are in the form of a healthy, balanced perspective and increased happiness and in this age of extreme complexity, severe economic challenges and with society's overemphasis on competition and peer-pressure, Sean's teachings are a welcome antidote that all young people should have for their overall health, growth and well being. Sean's teachings are a shining example of how simplicity, harmony and cooperation are still values that can and should be nurtured and developed in every young person; therefore, it is our hope to offer this program as a positive experience for young people and community from all socioeconomic and cultural backgrounds.

Sean is my present moment wonderful moment breath of guided consciousness and awareness to enjoying life to its fullest.  Sean is a beautiful friend and his family made this foundation to honor his life and teachings. He is an amazing person. He always had a smile on his face always ready to help, eager to learn.  He became a master of everything he was interested in. He never gossiped, he never complained, he moved forward with new discoveries and shared these discoveries with many. I live in his optimism and hope to share it with the world.

Where does community work fit in with your ethos as an artist?
As an artist without my community art would cease to exist. I always get guidance and advice and sometimes a voice of reason reminding me to walk away from what i am working on as to not over work it and take a break and come back. I get this guidance from close friends and my family as they help the process along on its natural path there is a combined effort and universal soul to the creative process this way.

Edition One Hundred is founded with the idea of providing artists the opportunity to transform new technology into a tool to both produce affordable art while simultaneously connecting to non-traditional art collectors. What are your thoughts on Edition One Hundred? Why did you decide to be involved? How do you see this as a platform to reach a broader audience for your work?
I love the idea of allowing art to be available and affordable to the masses. I think it is important for artist s to collaborate with each other as well as community members in order to share the artistic vision and love of creation. It fantastic when you are invited to be a part of something that is exquisite that is composed of the very essentials, intriguing work support for a foundation of our choice in order to give back to that that helps us create. It is the passion to be alive that this piece represents to me. The art of living with medicinal exploration.

With a online gallery it enables the artist s to continue to focus on their world while the work sells it self the creation process doesn't have to halt because you need to set up a show or prepare to hang the show. With this it is about the art and giving easy access to the masses to learn about the artist become a collector of art and make and investment in the future.

What are your thoughts on Art in the Digital Age?
It creates the ability to have an endless access to numerous ideas and images. It also encourages people from all over the world to explore this gallery together no matter what time zone they are in. It is readily available and accessible to the masses it makes art grow and evolve into a multidimensional reality.

As an artist, you regularly produce work that is a manifestation of you distinctive vision. Yet at the same time you are influenced by the work of others. Do you collect art? If so, who do you collect? And if you had all the money in the world, who would you buy and why?
It is not my distinct vision; it’s impossible to not be influenced by others. Everything has already been done.  It’s about just creating and being free to explore and letting go and letting it come through you and live on to the canvas out into the world and universe. What is done and seen now is an appropriation and deconstruction of found images and emotions. This is a pictorial adventure into ink and charcoal and process. It was necessary for me to use a variety of styles and mediums such as ink and charcoal a hint of spray paint. So we have silk-screened images, charcoal drawing, Bic pen illustration, watercolor and ink painting, and stencil images spray painted. Exploring different applications and techniques. It is a constant state of freedom and revolution in creating a work of art like this or any other for that matter.

We have some great art in my family. My grandpa Walter Ashe was an artist and i grew up with gallery walls of a variety of his work this has always been a great inspiration for me. My mom really enjoyed his work and furnished our walls with great talent at home. It is my mom who is the art collector with all other halls in the kitchen plastered with Frida Kahlo, as wall as work from my brother, sister, and myself. I really love Dali, Frida, Klimt, Rauschenberg, Basquiat, and Alex Gray.

I would buy work by Michelangelo because he is a great master and the lines brush strokes sculptures all have his genius hands molding our vision. With his art sitting in the room with you or if you are outside in awe at his work it feels as if you are immediately made into a genius and closer to enlightenment. I would also love any work by Artemisia Gentileschi because she was one of the first female artists to paint historical and religious paintings, at a time when such heroic themes were considered beyond a woman's reach. In an era when women painters were not easily accepted by the artistic community, she was the first female painter to become a member of the Accademia di Arte del Disegno in Florence. To have her strength and abilty and courage to explore and be amazing.

Why should people buy art?
When someone sees a piece of art and it speaks to them to some part of them that allows them to be something they've always dreamed to be but haven't had a partner to evolve with sometime art work helps assist in evolving and working through energy, through the color and line and raw expression. Intelligent people buy art because it is an investment it will always gain interest as the years pass along as the artists continues to create. Buying art means you have a live version of and explosion of passion and emotion and vigilance captured in a work. It’s a door way an opportunity for a journey inwards, to expand into eternity.

www.oaknektar.com/Ashe.html

 

EOH dotline

About EOH   Latest EOH News   Contact EOH
Edition One Hundred is curated, limited edition art available in editions of 100, priced at $100.00. Prints are hand-signed and numbered by the artists in a size and/or print exclusive to Edition One Hundred. More here.
spacer spacer QUESTIONS
PRESS
questions@editiononehundred.com
press@editiononehundred.com
© 2010-2011 Edition One Hundred. All Rights Reserved.